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- Avid media composer review full#
- Avid media composer review pro#
- Avid media composer review windows#
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I've seen quite a few improvements already in this new architecture. In the long term it means Avid should be able to build features into Media Composer that wouldn't have otherwise been possible.
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The port to a 64-bit operating system in the short term means MC can address much more RAM. Most of MC6's signature new features are under the hood. There will a small adjustment period as users get used to the interface tweaks, but it should be minimal. This is an important distinction because it means that an experienced Media Composer editor will be up and working in no time. But on closer inspection, I discovered that what at first glance looks like a radical overhaul of the interface really isn't all that different from previous versions.
Avid media composer review windows#
Those interface windows were the most noticeably changed, and there are several other visible changes. The Audio Mixer, above, now resembles a mixer in the physical world more than the computer world, obviously coming from the ProTools universe. The timecode displays above the Source/Record monitors have been revamped to give them a new look. There's also some subtle background shading that makes it easier to distinguish between lines of text in the project window or a bin. Instead of the usual round red, yellow, green Macintosh window control buttons, they've been redesigned into red, yellow, green squares. The interface, seen above, is darker overall, though that can be changed in the settings, and the active window now has a brown or gray title bar (depending on your Interface settings). The interface has changed significantly in a few key areas that, in the Macintosh version of MC6, I noticed right away.Īt first glance it really looks quite different. If you already use Media Composer and haven't yet upgraded to version 6, you might be quite shocked when booting the application after install. Taken together, both versions have set the stage for very exciting things to come. Version 6 is of equal importance, both from a functionality standpoint and for the future of MC itself.
Avid media composer review full#
And now the choice is yours-edit on premises, remotely through the cloud, on demand, through a low-cost subscription, or purchase a license outright-making Media Composer the most versatile and accessible tool for professional creative editorial.I actually said nearly the same thing in my Media Composer 5 review from October of 2010, though it was version 5's addition of important new features prior to full 64-bit support that earned my praise back then. Avid Media Composerĭesigned to handle high volumes of disparate file-based media, Media Composer delivers accelerated high-res-to-HD workflows, real-time collaboration, and powerful media management, eliminating time-consuming tasks so you can focus on telling a great story.
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Avid media composer review pro#
We would love to see Avid invest in some innovative new features so that they are able to rise up above their competition like Final Cut Pro and Premiere Pro, rather than just keep up.Ībout Chris Monlux Chris Monlux is Videomaker’s Multimedia Editor. Media Composer has a robust toolset that, at their new pricing, is available to the little guy - not just the studios. Editing with Media Composer was once much more exclusive, but through heavy competition, Avid is now one option among many. Media Composer is a solid editor that gets used on the biggest films in the world. And tries to answer the question “Is Avid able to keep up with the market?” Chris Monlux with Videomaker takes a look at the newest release of Avid Media Composer.